Code |
Name |
Guarantor |
Type of Completion |
Extent and Intensity |
Credits |
Profile Cat. |
Requirement |
FF:CJVF2B | French for Academic Purposes II |
N. Mojžíšová | zk |
0/2/0 | 4 |
- |
- |
FF:CJVR2BM | Russian for Academic Purposes II (B2) |
J. Mikešová | zk |
0/2/0 | 4 |
- |
- |
FF:CJVS2B | Spanish for academic purposes II |
J. Žváčková | zk |
0/2/0 | 4 |
- |
- |
FF:DISB026 | An Introduction to the Theory of Drama |
D. Drozd | zk |
2/0/5 | 4 |
- |
V |
FF:FAVKh002 | German Cinema before 1945 |
M. Večeřa | zk |
2/0/2 Filmové projekce. | 5 |
- |
PV |
FF:FAVKh004 | National epic dramas in European silent cinema |
P. Skopal | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVKh005 | Cinema Technology: History and methodological approaches |
M. Večeřa | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVKh006 | Czech New Wave |
Š. Jelínek Gmiterková | zk |
2/0/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
PV |
FF:FAVKh008 | Posters, Trailers, Bonuses: Film Paratexts Analysis Seminar |
P. Skopal | zk |
0/2/0 | 5 |
- |
PV |
FF:FAVKh013 | Memory and Nostalgia in Audiovisual Industries |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVKh014 | Czech Production system during the interwar period |
M. Večeřa | zk |
0/2/0 | 5 |
- |
PV |
FF:FAVKh017 | Worlds to be Continued: Serial Fiction Poetics |
R. Kokeš | zk |
2/0/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
PV |
FF:FAVKh018 | Melodrama: Genre, Style, Emotions |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVKh019 | Introduction to Star Studies and Celebrity Studies |
Š. Jelínek Gmiterková | zk |
4/0/0 | 5 |
- |
PV |
FF:FAVKh020 | Cinema of the Balkans |
J. Blažejovský | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVKh022 | Cultural policy and creative industries |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVh005 | Cinema of USSR 1945-1991 |
J. Blažejovský | zk |
2/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
V |
FF:FAVh006 | Historical Poetics of Czech Cinema till 1922 |
R. Kokeš | zk |
2/0/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
V |
FF:FAVp004 | Dramaturgy, production and distribution of documentary |
M. Večeřa | zk |
2/0/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
PV |
FF:FAVp006 | Media and documentary. Workshop on creative writing about documentary film |
P. Skopal | zk |
0/2/0 Kombinovaná forma: 16 hodin/semestr. | 3 |
- |
PV |
FF:FAVp009 | Movie Theatre Business |
J. Blažejovský | zk |
2/0/4 | 5 |
- |
V |
FF:FAVp010 | Film criticism |
J. Blažejovský | zk |
0/2/0 Kombinovaná forma: 16 hodin/semestr. | 5 |
- |
PV |
FF:FAVp011 | Introduction to Editorial Work |
P. Skopal | zk |
0/2/0 | 5 |
- |
PV |
FF:FAVp012 | Archival Moving Image Preservation and Restoration |
R. Kokeš | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVp013 | Theory and Practice of Animated Film |
M. Večeřa | zk |
2/0/0 | 3 |
- |
PV |
FF:FAVp014 | Czech film web-(maga)zines from the marketing and business perspective |
R. Kokeš | zk |
1/1/0 | 5 |
- |
PV |
FF:FAVp015 | Star Wipe: Videographic Approaches to Film Performance |
Š. Jelínek Gmiterková | zk |
0/2/0 | 5 |
- |
PV |
FF:FAVp016 | Czech Audiovisual Industry from the Inside |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVp017 | Contemporary Czech animation |
M. Večeřa | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVp019 | Cinema and Law |
P. Skopal | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz084 | Serial Bonds: The 007 Saga and the Poetics of Franchise Storytelling |
R. Kokeš | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz085 | Introduction into Screenwriting Studies |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz089 | Author and Brand: Cultural Discourses |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz090 | Social network analysis |
P. Skopal | zk |
2/0/0 | 8 |
- |
PV |
FF:FAVz091 | (More Than) Scary Movies |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz092 | Categorical data analysis (from the elelementary procedures to correspondence analysis) |
P. Skopal | zk |
0/2/0 | 8 |
- |
PV |
FF:FAVz093 | Splitscreen as Symbolic Form |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz095 | The Studio: Environment, Aesthetic, Fantasy |
P. Skopal | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz096 | Quirky Cinema: Wes Anderson (and Beyond) |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz097 | Hollywood's Global Blockbusters |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz099 | Small nation film and television production cultures: The case of Denmark |
Š. Jelínek Gmiterková | zk |
2/0/0 | 5 |
- |
PV |
FF:FAVz100 | Facultative Course I |
J. Blažejovský | k |
0/0/0 | 5 |
- |
PV |
FF:LMKB_a401 | Adaptation, Remediation, Transmediation: Literature on Screen |
P. Bubeníček | k |
0/2/0 0. | 4 |
- |
V |
FF:LgMB04 | Stylistics and poetics |
B. Fořt | k |
1/1/0 | 5 |
- |
V |
FF:NARX01 | Chapters from the Theory of Narration |
B. Fořt | k |
0/2/0 | 4 |
- |
V |
FF:PHK0001 | Philosophy for Non-Philosophical Disciplines Students |
J. Petrželka | zk |
0/0/0 6 hodin konzultací za semestr. | 4 |
- |
- |
FF:TIM_M_005 | Social Theories of New Media |
J. Macek | zk |
1/1/0 | 6 |
- |
V |
FF:cjva2p | Online Course of Academic English II |
E. Juhasová | zk |
0/0/0 individuální konzultace. | 4 |
- |
- |
FF:cjvn2p | Online Course of Academic German II |
P. Chládková | zk |
0/0/0 individuální konzultace. | 4 |
- |
- |
|
|
|
|
|
239 credits |
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